On the anniversary of a day that changed the world, the Little Theatre of Wilkes-Barre brings to life a story that echoes resilience and humanity. The musical “Come From Away” transports viewers to Gander, Newfoundland, where 38 planes landed unexpectedly on September 11, 2001, after the closure of U.S. airspace.
Set against the backdrop of that fateful day, the show at Little Theatre of Wilkes-Barre shares the remarkable narrative of how Gander’s residents opened their town to stranded travelers. The production kicks off tonight at 7:30 p.m. Tickets are available here.
‘Come From Away’ Connects Cast and Audience to Shared Memories
Director Angel Burlane Mulcahy, who vividly recalls her own experiences from 9/11, reflects on the show’s impact. “We say like, ‘where were you?’” she mentions, highlighting the universal connection people feel to that day. Mulcahy’s personal story is poignant; her father narrowly avoided being in the World Trade Center due to a last-minute change in work plans.
The cast of 12, including Joe Hudak who plays Claude, Gander’s mayor, relives these memories nightly. Hudak was in Erie, Pennsylvania, on 9/11, and recalls the surreal moments as the events unfolded. “This is by far the most challenging show I’ve had to do,” he shares.
Actor Scott Colin Woolnough, portraying passenger Nick, had just arrived in Manhattan when he learned of the attacks. His military background drove him to offer assistance, though he was ultimately directed to return home. Woolnough emphasizes the unique togetherness felt in New York in the days following.
Meg Davis, playing Bonnie Harris, discovers new perspectives through her character’s focus on the welfare of animals on the grounded planes. “It’s amazing how this small town took a tragedy and comforted the people,” Davis said of Gander’s community spirit.
Healing Through Storytelling
As the play premieres on the 25th anniversary of 9/11, Mulcahy underscores that “Come From Away” centers not on the tragedy, but on the kindness that followed. “It can be very healing to people experiencing it,” she notes, as audiences find solace in shared experiences.
Hudak finds hope in the musical’s narrative, stating, “It shows the humanity of people.” Mulcahy aims to bring this message of unity and resilience to the Wilkes-Barre community, illustrating how communities can come together in times of crisis.
The cast continues to prepare for a weekend of performances that promise to resonate deeply with all who attend, offering both a tribute and a testament to the power of human compassion.
